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Byzantine calendar

After the adoption of Christianity, the Byzantine calendar “since the creation of the world” was implemented. As is known, that calendar sets the Beginning – the creation of the world, and the Ending – the Second Coming, which are the terminus post quem and the terminus ante quern of human history.

The implementation of the Byzantine Christian calendar of the Constantinople era before the introduction of the Gregorian calendar after 1700 was obligatory not only for ideological reasons, but also because of the religious cycle, without which the newly created Bulgarian church would not have been able to perform its cult- and customs- related practice. In Bulgaria, as generally in the East, the system of counting the years I “since Christmas” or “since the Incarnation of Our God Jesus Christ” is a very rare phenomenon. There is only one inscription, which indicates for sure this kind of calendar. It belongs to Omurtag and states:

“And the name of the ruler is Omurtag, Kan Syubigi. The year since the appearance of the true God is 820 and since the Creation of the world, 6328”

Since the inscription is in Greek, it was most probably made in the style of the usual imitation of the Byzantine practice. The separation of the Byzantine-Slavonic Orthodox community from the Western European Latin language group is also evident in the use of the calendar. The different “calendar language” used in the East and the West is another factor of their distancing and self-isolation.

Volga Bulgaria

The calendar is an important factor of the cultural memory of the nation which uses it. Volga Bulgaria is an excellent example of this well-known claim. The orientation according to the stars, the situation of the planets, the Sun and the Moon, belong also to the set of knowledge of the Bulgarians in the region of Middle Volga. This is proved by the detailed system of names of planets, separate stars and constellations, which is later kept by the so-called Kazan Tatars. The stars determine meteorological time during the year and control agricultural activities. The Turkish explorer of the 17th century, Hadzhi Caliph, using sources which have not been preserved, describes a Volga Bulgarian who makes astronomical observations far north of Bolgar.

It is believed that the most widely used calendar in the region of Middle Volga was the 12-year sun cyclical calendar, in which the months have names of animals. This calendar was in use until the time of the Kazan Khanate. Many late manuscripts give evidence of the fact that the ancient Bulgarian calendar continued to be used in Kazan during the Late Medieval Period. That shows the important role of Volga Bulgarians in the formation of the culture of the Khanate.

Read More about Agehi (985/1577)

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Ottoman bricks

The bricks from the Ottoman era

The bricks from the Ottoman era are seen on the walls of the gallery set up by Evren Ertur. The general view of the gallery is seen. Evren Ertur collected the bricks of the old demolished olive oil factory owned by his grandfather and constructed the same by keeping the original design. In this building very quiet and humble, the technological story of the olive oil is told since the old centuries when the oil had been obtained by pressing the olives… While contemplating the original pieces, each of them with an antiquity value, you witness the story of the olive oil since the old centuries…

During the visit of the gallery, you witness which processes the story started in the stone trough has gone through from the days when the oil had been obtained by pressing the olives, which instruments had been used. Bags made of goat hair, millstone turned manually or by the animal, bags made of skin to keep the oil, screws… Then the steam power and then the current continue system… You see all of them… Here is a living source for the students, youths and those who want to improve their knowledge, a classroom for practice rather than a gallery…

Evren Ertur`s family is involved in the olive cultivation since 5 generations and the Success Firman of Muderris Hilmi Efendi, the grandfather of Evren Ertur who had been the “soap maker of the sultan ” and the bronze soap moulds are exhibited too in the gallery. Ertur states that he could`t consent to see that all these instruments used in the oil production would be lost and he felt obliged to issue a cultural legacy to the next generations; we are sure that the museum-gallery where the instruments collected since 7 years by Ertur are exhibited and assisted by the Akqay Tourism Information Director Sakir Karadede will enlarge in the coming years. Contact:

Various instruments exhibited in the gallery. Like in the original, two out of the holes on the fagade of the building symbolise the olive leaf and the one in the middle symbolizes the olive grain.

“Until I die…”

This tree is a real passion for Evren Ertur dealing with the olive cultivation and olive tree since 39 years. He says that he swore not to quit the olive tree and the oil which is a passion for him until he dies; Ertur tells also romantic and historical stories about the olive:

This article is published for EnmarBg. For more interesting information about visit places Bulgaria, please visit destinations Bulgaria.

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Street Markets of Istanbul

Street markets (pazar) still create a good alternative for economical shopping. People who generally do their shopping at various stores get astonished when they somehow come across with the prices in street markets located at different neigbourhoods on specific days of the week. The street markets at Ulus on Thursdays, YeSilkoy on Wednesdays,

Kadikoy on Tuesdays are the most popular ones. You can buy the garments of the latest fashion at a reasonable price range. Besides you can meet your needs ranging from clothes to kitchenery, bags and decorative furniture in the street markets at Fatih on Wednesdays, BeSiktaS on Saturdays and Fmdikzade on Fridays. Street markets promise a few hours full of joy and nostalgia for remembering the acquint smell of that enthusiastic and colourful crowd, as well as an economical shopping.

Which Pazar, where, when?

Cuma Pazan Fidikzade Friday

Cuma Pazari Usktudar Friday

Cumartesi Pazari Bakirkoy Saturday

Cumartesi Pazari Besiktas Saturday

Bostanci Pazari Bostanci Wednesday

Carsamba Pazari Fatih Wednesday

Yesilkoy Pazari Yesilkoy Wednesday

Carsamba Pazari Ihlamur Wednesday

Pazar Pazari Kucukcekmece Sunday

Pazartesi Pazan Bahcelievler Monday

Persembe Pazari Etiler Thursday

Persembe Pazari Merter Thursday

Persembe Pazari Erenkoy Thursday

Persembe Pazari Ulus Thursday

Persembe Pazari Suadiye Thursday

Sail Pazan Kadikoy/Sogutlucesme Tuesday

 Istanbul that accustomed to “the universal culture”

The come and goes of the most famous artists of the world are no longer “sensational events” for the people of Istanbul; because Istanbul has a determining role in I “the universal culture circulation.”

Not so long, some 20-25 years ago, Istanbul used to be all over the place when a foreign artist came. This famous guest used to be the focus of the public opinion. All the columns and cameras used to be directed to that person. Even the most serious columnists could not help mentioning “the sensational visit.”

It has changed now. The visits of the most popular, the most distinguished, the most famous singers, stars and groups are simply not much “sensational” for Istanbul. Because, Istanbul has taken its place among “the main cultural capitals” of the world such as Paris, Rome, New York, Vienna and London, Istanbul, with its cultural/historical/natural riches that the whole humanity admires, is “an open air museum.” Its giant surface area and population, whether they want or not, is taking Istanbul next to the main megapouses of the world. With all these “plus” and “minus” qualities,

Istanbul is certainly a “world city” and “city of culture” today…

The population of Istanbul is a very interesting mosaic. People from all social groups are represented in this city. The immigration rush from all parts of Turkey has brought Istanbul to be “the synthesis of this country.” It is hard to say that “the education and culture level” is at the same level with western cities, in the demography. But the “intelligentsia” of is strong enough to be dominant in the cultural life of the city. Or, “the intellectuals of Istanbul” are not only in “artliterature areas”, they are represented in many areas. For instance, most of “the businessmen at the top” are the active elements of this “intelligentsia.” Istanbul is organizing most of the festivals that has universal prestige owing to their efforts.

Besides, Istanbul has gained many of the cultural complexes that evoke admiration by the “culture and art foundations” they established. Briefly; The very strong “intelectual consensus” of Istanbul in terms of quality has accomplished the mission to take this city among “the universal culture capitals” with a great success, Istanbul has taken its place among “the world cities that could assimilated universal culture” despite of its mixed demographic structure by the efforts of its intellectuals.

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